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| #113, not yet titled |
I've long since abandoned the idea that I
should, or that I'm even
able, to paint paintings that look like the other paintings I've done before. It is a matter of practice that when I step into the studio, I open myself up to whatever may come through. And indeed, much does come through that surprises me.
And, with the
interruptions in my painting practice this past fall, (due to losing my home to a fire), things are definitely coming out different than before. I would be shocked if they didn't.
With all this letting go of life, I've been letting go in the studio a lot more. This is a good thing, because it is making me rebuild a practice and find a new rhythm to my work. It opens me up to new discoveries, and allows the elements that are strong to stick around, and become even stronger.
This is how an artist grows their work. I firmly believe you have to brave the process of trying something new, even at the risk of failing or making a fool of yourself, in order to discover the really great work that is possible. Each and every time I get scared or hesitate in front of a painting, I hear "just keep going." And so I do.
This painting above is in the middle of the series I've been working on this winter. I've become obsessed with lines, the vein-like organic growths that populate my work more and more. I've also been enjoying the messiness of spontaneous paint. I truly cherish the moments when my hand spazzes out and I make a wild mark! These marks express something powerful coming through in the moment - an organic abstraction that has no words, but certainly cannot go unnoticed.
These paintings seem really powerful to me. In the series I can see life energy,
chi, moving through, and getting more explicit and adventurous with each piece. The whole series will be on display at my studio during the Studio Tour in June.
Happy Friday- Bonnie Lebesch